For hotels & resorts
A documentary about the people who make your property what it is.
Filmed in three days.
Anyone can generate a future-vision render or buy stock lifestyle footage. What a property can't manufacture is real access — the chef, the family behind it, the people your guests never meet but always feel. This is the alternative: one production, one grade, one contract, and a library that carries you through the whole season.
4separate programmes — book one, or run them together
1contract per booking, invoiced monthly, no requoting
0international travel or per-diem — always based on Crete
Worldwidecommercial usage rights, for the life of your brand
How it gets made
No script before we meet.
The first morning goes to whoever the story is actually about — your chef, your dive instructor, the family that's run this for three generations — before a single frame is shot. What comes back isn't a content package. It's proof of what makes this property worth choosing over the one next door.
Four programmes, not one bundle
Pick what the property actually needs.
Every property needs different things at different times. Rather than one fixed annual bundle, these run as four separate programmes — book one, book all four, or come back for another when the season calls for it.
Documentary
The story of the place.
A hero film and a set of chapter films built from real access — the chef, the family, the staff, the people your guests never meet but always feel. Proven in Little Island and ΤολμΩ.
7films, typical scope
- 1 × Hero brand film (90–120 sec)
- 6 × Chapter films — rooms & suites, spa & wellness, dining, experiences, destination
Ask for a quote
Coverage
The property, fully shot.
Comprehensive footage of the property itself — rooms, grounds, pool, spa, food. Not narrative, just the raw material every website, OTA listing, and future edit draws from.
20+clips, typical scope
- Full property b-roll library
- Room-by-room and amenity coverage
- Food, spa and grounds detail shots
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Social
The ongoing feed.
Vertical cuts for Reels, TikTok and Stories — shot and cut to look like something a guest actually filmed, not an ad. Built for a regular posting rhythm, not a one-off drop.
24cuts, typical scope
- 12 × Vertical edits for Reels, TikTok and Stories (9:16)
- 12 × Feed and paid-social cutdowns (4:5 · 1:1)
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Campaign
The time-boxed push.
Shorter, punchier cuts made for a specific launch, season, or promotion — built for a media-spend flight window, not an evergreen library.
10cuts, typical scope
- 6 × Paid campaign cuts (15 · 30 sec)
- 4 × Booking-engine and OTA listing clips
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Most properties run two or three of these together as one production — it’s more efficient than booking separately, and the day rate reflects that. Full commercial usage rights, worldwide, for the life of your brand, on everything we deliver. Prices shown exclude VAT.
Prefer professional models or styling? We quote that separately, on request. Agency-licensed talent is typically usable for one to two years, not indefinitely — we’ll always tell you upfront if a shot isn’t yours to keep for good.
How we work
Filmed, not generated.
Cinematic where it counts. Real everywhere else. The hero film is built to convince someone to book. The library around it is built to be believed on social — shot and cut so it reads like something a guest actually filmed, not an ad.
Delivering a season’s worth of finished films from just a few days of capture is only possible because our post-production runs on a disciplined pipeline — every word transcribed, every cut approved before the timeline is built, every version rendered from one approved master.
That is where the modern tooling sits, and that is the only place it sits.
Every frame we deliver was shot on your property. We use technology to compress the hours between the shoot and the grade — never to invent an image of a hotel that doesn't exist. Your guests should recognise the place they stayed.
In-house, not subcontracted
Shot from the air and under the water.
This is what makes the hero film's cinematic half credible, not just claimed. Most video suppliers hire a drone pilot for the day and cannot shoot underwater at all. For a property built around a coastline, a private beach or a swim-up suite, that quietly removes the two most persuasive shots you own.
Aerial and underwater capture are part of every programme here, operated by the same person who directs the film — which means the shots are planned into the edit rather than bolted on afterwards, and there is no second crew to schedule or pay for.
Broadcast credits
Angelos Psomopoulos has worked as camera, drone and underwater operator on productions for the BBC, Netflix, Amazon and ERT.
Proof
Real budgets, real brands — the documentary method is what’s new.
Based in Crete — no international travel or per-diem loaded onto your budget. Amadria, Four Seasons and Avanti prove the commercial trust and scale; Little Island and ΤολμΩ above prove the documentary craft. This programme is where the two meet for the first time on a hotel commission.
Amadria Park
A social campaign across five hotels
One production feeding a full social campaign for five properties in the group. This is the programme model, before it had a name — and proof that the batched approach works across a portfolio.
Four Seasons
A tourism campaign for Greece
Destination work carrying a national tourism message for one of the most exacting luxury brands in the world. If the standard holds there, it holds for your property.
Avanti
A hero film for sales and web
The flagship asset, built to work in two places at once — carried into sales conversations and anchoring the website. Exactly what the hero film in this programme is for.
St. Nicolas BayAlaiThe Island Concept
Next step
Let's walk your property.
Tell us the property and the season you're planning for, and we'll come back with a programme scoped to it within two working days.